Featured
Eight frames chosen for the signed, numbered run. Each one is the moment the car, the light and the line agreed, and each is printed in an edition of 25.
Signature Edition
Signature Edition
Signature Edition
Signature Edition
Signature Edition
Signature Edition
Signature Edition
Signature EditionRolex 24
at Daytona
Twenty-four hours on the banking, shot through the catch fence, from the grandstand roof, and down in the paddock. The night frames are long pans under the stadium lights; the day frames chase the line through the tri-oval.
- Venue
- Daytona International Speedway
- Date
- January 2026
- Frames
- 47
Signature EditionSignature EditionSignature EditionSignature EditionSignature EditionSignature Edition
Petit Le Mans
Ten hours at Road Atlanta in October light. The esses, the Motul chicane, and the Porsche GT Team in its 70th anniversary liveries.
- Venue
- Road Atlanta · Braselton, Georgia
- Date
- October 2018
- Frames
- 13
Signature EditionSignature Edition
Off the Track
The same cars at rest. A Huracán on the back roads and at the old general stores of Williamson County, and the collectors’ gatherings where the rarest things in Tennessee park side by side.
- Where
- Franklin and College Grove, Tennessee
- Frames
- 14
The Garage
The same rivalry, at 1:18. Ford, Ferrari, McLaren and Porsche told through four cabinets of race and road cars, each one photographed in studio as part of an ongoing series.
1995 · Le Mans winnerF1 GTR #59
1982 · Le Mans winnerPorsche 956
1976 · World championM23, James Hunt
1973 · Can-Am917/30, Donohue
1988 · 15 of 16MP4/4, Senna
1997 · Gulf LongtailF1 GTR #41
Walk the collection
Every car, the real race behind it, and the timeline from 1948 to today. Each car in the cabinets carries a code that opens its page.
Made here,
not sent out.
Every print is produced in studio on a Canon imagePROGRAF PRO-1100 using pigment inks, on Canson Baryta Photographique II. Signed on the verso, with a one-inch paper border on every side for handling and framing. Sizes are the sheet; the image is two inches smaller each way. Physical prints only: digital files are never sold.
Small
9 × 12 in image
Desk, shelf, or a tight gallery wall. Ships flat.
Medium
11 × 17 in image
The standard for the panning frames, with enough size to hold the long lines.
Large
15 × 20 in image
The largest sheet the studio printer takes. Statement scale for the night and wide grandstand frames. Ships flat.
- Printer
- Canon imagePROGRAF PRO-1100
- Inks
- Pigment, 12-colour
- Paper
- Canson Baryta Photographique II 310gsm
- Editions
- Open, signed on verso
- Digital files
- Not sold
- How to order
- Open any photo, add to basket
The apex is
the argument
Apex Frame Studio is the photographic work of Jason Rumley, based in Franklin, Tennessee.
The work started at the track. Racing teaches you to read a corner before the car arrives: where the line has to go, where the light will be, and the fraction of a second when all of it lines up. Most of these frames are slow-shutter pans, taken through the catch fence or from the top of the grandstand, so the car stays sharp and everything else turns to speed.
Prints are made in studio rather than sent to a lab, so the file that leaves the edit is the file that goes on the paper.
- BasedFranklin, Tennessee
- ShootingIMSA endurance racing
- CollectionApex Garage
- CommissionsTeams · Sponsors · Private
- StudioApex Frame Studio LLC
Print enquiries
and commissions
For available prints, sizing, or commissioned work (race weekends, teams, track days, and private clients) email is the fastest way to reach the studio.
- Emailjason@apexframestudio.com
- Phone(612) 877-2440
- Webapexframestudio.com